BEING introduced to Clint Eastwood is something like seeing a California redwood for the first time. The difference is that this redwood, even at the age of 78, reaches out to shake your hand with a firmness that still intimidates no matter how much time you spent preparing your grip (for the record: three days).
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There was one major disappointment for Mr. Schenk: the setting of “Gran Torino” was shifted from Minneapolis to Detroit, the original home of Ford and, not coincidentally, the home of 42 percent tax credits for films made there. (That helped make it easy for Warner Brothers to sign off on bankrolling the movie, something that hasn’t always been a given in the studio’s relationship with the director.)
http://www.nytimes.com/2008/12/14/movies/14head.html?_r=1
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