The Examiner | March 27, 2009
Abnormal. Strange. Weird. Those are terms that come to mind when someone compares oddities. Contrasting the Detroit Hip Hop scene with the Michigan Film industry, and those terms seem extreme. Without deep analysis, the two essentially are like peanut butter and jelly. Music and film are definitely separate entities within their own right, but when was the last time you watched a film without a musical soundtrack? To separate music and film is, as Oran "Juice" Jones put it, “like cornflake without da milk!” Okay, so that is extreme but we know all too well how music video revolutionized the way we look at our favorite stars—good or bad.
Today’s music is fueled by imagery depending on which side is exposed: flossy, struggling, conscious, party, grimy…the list goes on. Now that many are mobilized— whether it is with the equipment or with the knowledge and know-how, artists are engaging in visual art forms that showcase their musical talent. This phenomenon has penetrated the musical landscape beyond the Detroit classics, “The Scene ”, or “The New Dance Show ”. Nowadays you can catch hot shows such as the Kori's Corner, Al Nuke's Nuke at Night, or the highly anticipated newcomer, “The Mr. CliffNote Show ”.